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玩偶19687.0

类型:剧情,爱情其它1968

主演:马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga,Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan,Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina,Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef,Pieracki,Janina,Romanówna,Anna,Seniuk,Irena,Szramowska,Wladyslaw,Dewoyno,卢德维克·伯努瓦,克雷斯蒂娜.费尔德曼,Aleksander,Fogiel,Andrzej,H

导演:沃伊切赫·哈斯

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玩偶1968剧情简介

《玩偶1968》是一部探讨社会与人性的影片,通过复杂的角色关系与冲突,展现了波兰社会在特定历史时期的变化。以下三位演员及其台词片段:豆瓣内容:  The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot:  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)1. 马里乌什·德莫霍夫斯基饰演的角色:他的话语揭示了个人在集体意志面前的挣扎与矛盾,“我们的生活被一种看不见的力量所主宰,它既不尊重我们,也不理解我们。”2. 贝娅塔·蒂希基维茨扮演的角色:她的台词反映了女性在社会结构中的困境与觉醒,“我们总是在等待,等待那个能拯救我们的人,但最终发现,真正的救赎来自于自我。” 3. 塔德乌什·孔德拉特所饰角色:他的独白展示了对自由与权力的深刻反思,“自由并非无条件的,它总是在某个时刻,由某个人赋予或剥夺。”这些台词不仅揭示了人物的内心世界,也映射出当时波兰社会的复杂性与多面性,引发观众对于自由、权力、个体与集体之间关系的深思。

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