《致我母亲的死亡》是一部聚焦于家庭情感与记忆的电影。故事围绕着主人公与已故母亲之间的深厚情感展开,通过回忆与现实交织的方式,探讨了失去亲人的痛楚、成长与自我发现的主题。豆瓣内容: When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots. Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.影片中,Birte Schnöink扮演的是一位坚韧的母亲角色,她的一句台词是:“即使时间会流逝,爱却永远存在。”埃尔希·德·布劳饰演的是主角,他以深沉而感性的表演,将角色内心的挣扎和痛苦展现得淋漓尽致。他的台词是:“我试图理解母亲的离去,却发现它如同一道无法逾越的墙。”Christian Löber则扮演了一位朋友或邻居的角色,他的台词是:“在最黑暗的日子里,正是那些微小的温暖时刻,让我们找到了继续前行的力量。”《致我母亲的死亡》通过这些角色的演绎,构建了一个关于失去与重生的故事,展现了人性中最柔软的一面。在这个过程中,观众不仅能够感受到角色们的情感波动,也能引发对自己生命意义的深刻思考。