没有和解7.4
类型：剧情其它1965
主演：Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
导演：让-马里·斯特劳布,达尼埃尔·于伊耶
极速视频
没有和解剧情简介
《没有和解》是一部深刻探讨战争与人性的影片。影片以第二次世界大战为背景，讲述了在战争的残酷背景下，一群德国士兵与法国平民之间发生的故事。影片通过不同角色的视角，展现了战争对个体心灵的摧残以及人性在极端环境下的复杂面貌。豆瓣内容: The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.1. Heinrich Hargesheimer 饰演的角色在一次战斗后对战友说：“我们只是执行命令，但这一切都是如此荒谬。”2. Carlheinz Hargesheimer 饰演的角色在目睹了无辜平民的悲惨遭遇后感叹道：“战争夺走了我们所有的理性，它让我们成为自己最痛恨的人。”3. Martha Staendner 饰演的角色在面对失去家园的恐惧时，对丈夫说：“我只希望这一切能结束，让我们能够重建生活，哪怕是从头开始。”《没有和解》通过这几位演员的精湛演绎，揭示了战争的无情与人性的脆弱，在历史的悲剧中寻找一丝人性的光辉。
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