《等待方舟》是一部深刻探讨人性与道德的电影。影片以第二次世界大战为背景,讲述了犹太人如何在纳粹德国的恐怖统治下求生的故事。在这个充满绝望的时代,人们不得不面对选择与牺牲,以及对未来的希望与信念。豆瓣内容: Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.在本片中,演员耶日·斯图尔饰演的角色是一位勇敢的犹太领袖,他坚定地带领着社区抵抗纳粹的压迫。“我们必须团结一致,用智慧和勇气对抗黑暗。”这是他对社区成员的承诺。克里斯提娜·杨达饰演的角色是一位坚强的母亲,她为了保护家人,不惜一切代价。“无论发生什么,我都要让我的孩子们看到希望。”她的话语充满了母爱与坚韧。而卡里娜·谢鲁斯克饰演的角色则是一位年轻的学生,在困境中展现出不屈的精神。“只要我们心中有光,就没有什么能将我们打败。”她的乐观精神鼓舞了周围的人。通过这三位角色的演绎,电影展现了在极端环境下人性的光辉,以及对自由、尊严和希望的不懈追求。