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德拉克的回归剧情简介
《德拉克的回归》是一部以历史为背景的剧作，主要讲述了主人公德拉克历经磨难后，重返故土，与过去的敌人和挚爱之间展开的一系列情感与复仇的故事。豆瓣内容: 与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).剧中，拉多万·卢卡夫斯基饰演的角色德拉克，他面对着内心深处的矛盾与挣扎：“在这个世界上，我究竟是谁？是那个曾经的英雄，还是那被命运扭曲的复仇者？”古斯塔夫·瓦拉赫所扮演的角色，与德拉克有着复杂的情感纠葛，他对德拉克说：“你的归来，让我感到既恐惧又期待。”而艾米丽娅·瓦萨约娃饰演的角色，作为德拉克的盟友，她坚定地站在德拉克身边，给予他力量：“无论你走到哪里，我的剑永远为你而准备。”在这部作品中，演员们通过细腻的表演，展现了角色之间错综复杂的关系，以及个人内心的挣扎与成长。他们共同构建了一个充满冲突与情感的故事世界，让观众在戏剧性的张力中体验人性的深度与复杂性。
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